

15 Nov 2024
Clare
Bonetree
Full
Moon
We were talking
about roundness
After Diego Rivera’s Dos Mujeres (1914),
a portrait of Angelina Beloff and
Maria Dolores Bastian
We were talking
about roundness –
imperfect, curvaceous,
delicious, whole,
self-describing,
self-owning
roundness
of oranges, women,
planets, artichokes,
beachballs, marbles, glass eyes,
the letter O;
the shape a mouth makes:
O, O, O, O, O,
oh no! – and yes –
contradictory containers
for desire;
and about the question
of how to grapple
gloriously,
with the impossibility
of fully conveying
the hole – or the whole –
of it on a canvas,
on a flat square,
on a round world.
Our conversation
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